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To the left of the stand when neck when viewed from the rear there is a DC power input and 3.5mm headphone jack. Behind the stand neck there is a DP 1.2 input, which supports Nvidia G-SYNC and the full capabilities of the display.

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For gamers, particularly those who favour fast-paced games, having a monitor with increased refresh rate is hugely advantageous. Indeed, it is one of the key factors that aids both a responsive look and feel to the gaming experience. The ASUS VG248QE was one of the first models to support a 144Hz refresh rate and to this day remains a popular choice for its combination of price and gaming performance. The ASUS PG248Q can be thought of as an evolution of this product, bumping up the refresh rate to 180Hz and including Nvidia G-SYNC variable refresh rate technology. We put this monitor through its paces, seeing how the monitor performs in a range of tests and also taking a look at these new features.

With the exception of ‘Racing Mode’, which is the factory default, and ‘sRGB Mode’, these presets leave a lot to be desired for those who admire well-represented colours. They offer various levels of oversaturation or in the case of ‘Cinema Mode’ an extremely high (cool-looking) colour temperature. The oversaturation is a bit more selective on some but more widespread and even less desirable on others (‘Scenery Mode’ and ‘RTS/RPG Mode’). Needless to say we won’t be spending too long analysing these and will instead test a range of other settings available in the OSD. The ports are angled with a slight diagonal slope and are downwards facing.

You don’t have to stick with the Dock’s default look and feel if it’s not to your liking. There are a number of settings you can change to personalize it. Let’s take a look at the most important settings you can change when you get a new MacBook Pro. Getting a brand-new MacBook Pro can be an exciting thing, but before you dive right in, there are a few settings that you should change first. These can help tweak your Mac to perfection, making it work the way you want it to instead of forcing you to adapt to its will. In this example scene, if the Exposure Compensation is changed in the Post Process Volume Exposure settings, that value is reflected in the list of exposure settings in the Level Viewport.

To the right there is an HDMI 1.4 port and 2 USB 3.0 ports . The HDMI port is something that has been added to so-called ‘G-SYNC V2’ monitors and was lacking on the PG278Q. Refresh rate is limited to 60Hz via HDMI, but it allows you to connect devices such as games consoles where their capabilities match. Standard accessories include a power adaptor and cable plus a DP cable.

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Higher values give bright spots on the screen more priority, but can lead to less stable results. Lower values give the medium and dark values more priority, but might cause burnout of bright spots. The maximum brightness for auto exposure that limits the upper brightness the eye can adapt within.

  • If you don’t yet have a Sync account, create a free account from the Sync homepage before proceeding.
  • If you’re not sure don’t worry, as you can change the location later if needed.
  • Select where you want the Sync folder to be created on your computer.
  • You can access the Sync folder from your computer, phone, tablet and the web.

The difference offset for exposure compensation is reflected in the chart by the separation of the actual exposure and final exposure lines. Auto exposure adapts to a value extracted from the luminance histogram of the scene color. The value is defined as having X percent below this brightness.

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